Ost Once Upon A Time



  • Artist: Once Upon a Time (OST)(Once Upon A Time: Musical Episode)
  • Song: Revenge Is Gonna Be Mine
  • Featuring artist: Colin O'Donoghue
  • Album: Once Upon a Time: The Musical Episode (Original Television Soundtrack)
  • Translations: Chinese, Czech, French #1, #2, German, Greek, Italian #1, #2, Russian #14 more
English

Revenge Is Gonna Be Mine

Once Upon a Time. In Hollywood (2019) Soundtracks. Soundtrack Credits. The Rocks (from Have Gun - Will Travel (1957)) Written by Bernard Herrmann Under license from Sony/ATV Music Publishing. The Return (from Have Gun - Will Travel (1957)) Written by Bernard Herrmann Under license from Sony/ATV Music Publishing. Artist: Once Upon a Time (OST) (Once Upon A Time: Musical Episode) Song: Revenge Is Gonna Be Mine; Featuring artist: Colin O'Donoghue; Album: Once Upon a Time: The Musical Episode (Original Television Soundtrack) Translations: Chinese, Czech, French #1, #2, German, Greek, Italian #1. When Zelena's time portal re-opens and sends Emma and Hook into the Enchanted Forest of the past, their actions have dire consequences for the future. S3, Ep22 11 May 2014.

Check out Once Upon a Time: The Musical Episode (Original Television Soundtrack) by Various artists on Amazon Music. Stream ad-free or purchase CD's and MP3s now on Amazon.com. Once Upon a Time in Hollywood is a 2019 comedy-drama film written and directed by Quentin Tarantino.Produced by Columbia Pictures, Bona Film Group, Heyday Films, and Visiona Romantica and distributed by Sony Pictures Releasing, it is a co-production between the United States, United Kingdom, and China.It features a large ensemble cast led by Leonardo DiCaprio, Brad Pitt, and Margot Robbie.

My dear prince and princess, your offer is meaningless
The gold in your sack, well, it isn’t worth jack
But none of those pirates are me! (They’re not he!)
Yo-ho and your manners refined
Is revenge, revenge, revenge and it’s gonna be mine!
Revenge? On whom?
Wait for the second verse, love
I’ve savaged and pillaged and pilfered each village
Each town that I plunder I leave torn asunder
I won’t rest 'til I’ve skinned me a croc!
But yo-ho, you are wasting your time
Revenge, revenge, revenge is gonna be mine
So you want revenge on a crocodile? For taking your hand?
Afraid he did more than that
Where I might find happiness waiting
And filled me with hate unabating
I’m finally on the right path
The fire of this pirate’s wrath!
Wait – did you say the Dark One?
I think we know why you haven't been able to find him. We have him. In our dungeon.
Bloody hell!
Captain, give us safe passage to the Queen’s castle and you’ve got yourself a crocodile.
Aye, love. It's a deal.
Have one last drink, mates! Then we’ve got a date with destiny!
Yo-ho, must be fate’s design
Revenge, revenge, revenge is gonna be mine
Once upon a time tony bennett
Oh, it's gonna be mine!
Oh, it's gonna be mine!
thanked 28 times
Chinese
French
German
Italian
Russian
Spanish
Ost Once Upon A Time
Ukrainian
1.Revenge Is Gonna Be Mine
2.A Happy Beginning
3.Love Doesn't Stand a Chance

Soundtrack Information

Special Edition

Restless Records (74321619762)

Release Date:March 31, 2003

Conducted by Ennio Morricone

Formats: CD, Digital

Music By

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Track Listing

1.Once Upon A Time In America
2.Poverty

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3.Deborah's Theme
4.Childhood Memories

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5.Amapola
6.Friends

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7.Prohibition Dirge
8.Cockeye's Song

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9.Amapola Part II
10.Chilhood Poverty

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11.Photographic Memories
12.Friends

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13.Friendship & Love
14.Speakeasy

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15.Deborah's Theme - Amapola
16.Suite (from Once Upon A Time In America)

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17.Poverty (Temp Version)
18.Unused Theme

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19.Unused Theme (Version II)
Track lengths not available for this album. If you have track length/time information for this album, please e-mail it to us at mail@soundtrack.net and we will add it to the database.

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Review: Once Upon A Time In America

Once Upon A Time In America is the final re-teaming of director Sergio Leone and composer Ennio Morricone, two titans of the film world whose previous collaborations were nothing short of brilliant. Together they forever changed the face of the cinematic Western landscape. Leone gave the world his completely different perspective on the Western while Morricone infused the films with operatic grandeur. The films (A Fistful of Dollars, For A Few Dollars More, The Good, The Bad & The Ugly, and Once Upon A Time In The West) became landmarks and ushered in a new genre of movies: the 'Spaghetti Western'.

While the two had not worked together since 1972’s A Fistful of Dynamite, nothing seemed to have changed between then and the 1983 release of Once Upon A Time In America. For Leone’s epic tale of Jewish gangsters spanning 60 years, Morricone created another one of his superb scores. Although there are perhaps only four themes played throughout the film, it’s how they’re used that makes them so effective. As with his past work, Morricone knows how to use one theme to evoke different emotions depending on which scene it’s used for. America is a four hour movie that’s told in a non-linear fashion. When the same themes are used over and over again as the story unfolds, there is an immense payoff by the end. Ennio’s themes are what keep the epic scope of the film from dwarfing the individual characters whose lives we follow. It’s a difficult task but Ennio makes it seem like a breeze.

While not operatic as his previous scores for Leone’s films, Morricone’s style in America is closer to his work in The Untouchables and the unused What Dreams May Come. While those films came much later, you can hear the basic motifs for the main themes springing out of his work for America. One of the unique aspects of this score is Ennio’s incorporation of Gheorghe Zamfir, who plays a pan flute. (Ed.: Yes, this is the same Zamfir who had those mail-order ads in the 1980s!) At times this music is used to convey remembrance, at other times terror. Zamfir’s flute playing was also used to haunting effect in Peter Weir’s Picnic at Hanging Rock.

Ost Once Upon A Time In Hollywood

This Special Edition release contains the 15 tracks that were previously available on the Mercury German Import CD plus some 27 minutes worth of unreleased material. One of these bonus tracks is a 13-minute medley of the themes along with some atonal suspense music used in the movie but missing from the previous release. Another cue is a temp version of the 'Poverty' theme. The last two tracks are unused early versions of the main theme, and it is interesting to see how the theme evolved to what it is in the final version. All this extra material makes this CD a 'must have' even if you own the previous release. In fact this release is a 'must have' for any Morricone fan, any soundtrack collector, or simply anyone who loves beautifully composed music.

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